Bino realuyo biography

Bino A. Realuyo is a Filipino-American novelist, poet, community organizer and adult educator.

Bino A. Realuyo is a Filipino-American novelist, poet, community organizer and individual educator. Everything in this manual has the sting of truths. The images are stunning but true.

He was born and raised in Manila, Philippines but spent most of his elder life in New York Urban area. He is the author of a novel, The Umbrella Country, a poetry collection, The Gods We Worship Live Next Door, and the editor of two anthologies.

His acclaimed novel, The Umbrella Country, published in by Ballantine Reader's Circle, Random Residence was included in Booklist's Highest Ten First Novels of .^[1] Upon release, the novel reached the #2 spot in the Philippines.

The Umbrella Country was also a nominee for the Barnes & NobleDiscover Great Writers Award and a recipient of the first Asian American "Members' Choice" Literary Award in the year ^[2] According to The New York Times Book Review, "Realuyo’s lucid prose, unencumbered by sentimentality or hindsight, lends freshness to the conflicts of his somewhat familiar characters and hue to a setting both impoverished and alluring."^[3] The San Francisco Chronicle called Umbrella Country, "a significant contribution to Filipino American literature."^[4] Realuyo's first novel was also highly acclaimed in his home country, the Philippines, and continued to be taught in colleges and universities since its publication in The Manila Common wrote, “This is a unsafe book because it reveals the Filipino soul, tortured, tormented by poverty .

. . Everything in this book has the sting of reality. The images are stunning but true. The smells are so strong they assault the reader. The people are familiar characters we include met in the comings and goings, ups and downs of our city lives: They may be stereotypes and archetypes, but you know them all, they were part of each of our past and they’re still very much around, 30 years after Gringo’s recollection.” ^[5]

Realuyo's first poetry collection, The Gods We Worship Live Next Door won the Agha Shahid Ali Prize in Poetry,^[6][7] selected by Grace Schulman, distinguished professor of English at Baruch College, City University of New York and poetry editor of The Nation.

It was released by the University of Utah Press in Protest The Philippine edition of The Gods We Worship Live Next Door was released by Anvil Press in the Philippines in March , marking his very first book publication in his birth country. The Gods We Worship Live Next Door received a Philippine National Book Award.^[8] In , the Irish band U2 featured his poem Filipineza in its 30th anniversary concert tour of The Joshua Plant in Manila, Philippines.^[9][10][11]

In Spring , he guest edited The Literary Review's special issue on contemporary Filipino and Filipino-American literature, Am Here: Contemporary Filipino Writings in English.^[12] He is also the editor of The NuyorAsian Anthology: Asian American writings about Recent York City, a collection commemorating years of Asian American presence in New York City.

Bino A. Realuyo is a Filipino-American novelist, poet, community organizer and adult educator. Everything in this book has the sting of reality. The images are stunning but true.

The anthology was published by the Asian American Writers' Workshop and Temple University Press in , and awarded a PEN Open Book Award The NuyorAsian Anthology is a collection of fiction, poetry, essays, and art. The anthology maps Asian American life in Fresh York City, beginning with works by poet Jose Garcia Villa in the s and the birth of the Asian-American literary and political movement in the s.

The collection also explores the more contemporary voices of Pico Iyer, Bharati Mukherjee, Henry Chang, Xu Xi, Maxine Hong Kingston, Kimiko Hahn, Vijay Seshadri, Betty T. Kao, Wang Ping, and many others. Ranging in age from 16 to 87, more than sixty writers and artists look at love and loss, work and history, persona and sexuality, loneliness and dislocation, giving a closer look at the most diverse ethnic group in the United States.

Author Bio below is ready for use. There is a concise version and a longer version if the short one is not enough. Please email and check with the author at binoliterary gmail. Thank you.

Realuyo began his writing through his plays and poetry in elementary school in Manila, where he wrote in his native language Pilipino (Tagalog), but later shifted to English when his family immigrated to the United States when he was a teenager.

Since co-founding^[13]Asian American Writers' Workshop^[14] in , he has been publishing in literary journals, magazines and anthologies in the Combined States including The Nation,^[15]Mānoa: A Pacific Journal of International Writing, North American Review, ZYZZYVA's Resistance Issue,^[16]The Literary Review, Mid-American Review, The Missouri Review,^[17]New Letters, and The Kenyon Review.^[18] The opening poem in The Gods We Worship Live Next Door, Filipineza, originally published in The Nation,^[19] is widely anthologized in collections, such as the Norton Anthology Language for a New Century and Fire in the Soul: Poems for Human Rights. The poem's inclusion in U2's The Joshua Tree anniversary concert tour received much media attention and highlighted the plight of Filipino domestics in Asia, the Middle East, and Europe.^[20]

Background

Realuyo is devoted to social change, inspired by his father, the late Augusto Roa Realuyo,^[21] an architect and engineer and survivor of the Bataan Death March and Japanese Concentration Camps in the Philippines during World War II.

His poetry manuscript-in-progress The War Theory will include his father's experiences during World War II, from President Franklin D. Roosevelt's recruitment of young Filipinos into the U.S. Army through the terrors of the Bataan Death Rally and Japanese Camps to the denial of their war-time benefits as a result of the approval by the U.S.

Congress of the Rescission Act of ^[22]

As a community organizer and adult educator, Realuyo has worked for community and union-related organizations in New York City. For the past thirty years, he has juggled a writing animation and a demanding full-time occupation in adult education.

As an educator, he believes in Freirian pedagogical approaches to education—teaching the word by teaching the nature. His specialization is the integration of technology and workforce training into ESOL adult literacy classroom.

He is the founder of We Speak America,^[23] an English Language podcast for adult learners, a project that won a business plan award while he was at Harvard.

He is a world traveler, with dense interest in diverse cultures, history, and languages.

His major in college lead him to tour and study in the U.S. and South America. After receiving his degree and briefly traveling in Europe, he returned to his lifelong passion of artistic writing and co-founded The Asian American Writers Workshop in and dedicated his work life to community organizing and immigrant grown-up education in New York City's disenfranchised communities.

He is multilingual, proficient in Tagalog and Spanish and with limited proficiency in Brazilian Portuguese for having traveled and lived in different cities of Brazil.

Affiliations, Education, and Citations

Among his numerous literary awards and fellowships are a Van Lier Foundation Fellowship for poetry, the Lucille Medwick Memorial Award from Poetry Society of America, twice recipient ( and ) of a New York Foundation for the Arts Fellowship for fiction, an Urban Artist Initiative Grant for fiction,^[24] a Valparaiso Literary Fellowship for fiction, a Yaddo Fellowship for poetry, Queens Council on the Arts Grant for poetry, and a Philippine National Book Award for The Gods We Worship Live Next Door.^[25]

He has recently completed a new fiction book about the Filipino-American experience in New York City, The F.L.I.P Show (recipient of an Urban Artist Initiative Grant and New York Foundation for the Arts Fellowship in Fiction^[26]), a new collection of poems, The Rebel Sonnets, and is currently working on a second novel and another poetry collection, The War Theory (recipient of Queens Council on the Arts Grant and a Yaddo Fellowship).

Poems from his manuscript The Rebel Sonnets have appeared in North American Review, ZYZZYVA, Painted Bride Quarterly, The Missouri Review, Salamander, and The Frequent.

Realuyo has a Bachelor of Arts in International Studies from American University School of International Service in Washington, D.C., where he was awarded a Who's Who in American Colleges and Universities, and from Universidad Argentina de la Empresa in Buenos Aires, Argentina.

He holds a Master's of Education degree with a focus on Technology and Innovation from Harvard University, where he also served as a Social Entrepreneurship Fellow at John F. Kennedy School of Government's Center for Public Leadership.

Bino A. Realuyo is a novelist and poet who was born in Manila, Philippines and raised there and in New York City. He is a regular contributor to The Literary Reviewand guest edited its special issue on contemporary Filipino literature in Spring He is currently active on a new novel, The Ashen Partsand is finishing a collection of short stories about the Filipino-American experience in the U.

References

External links